Conflicting Essays in scholarship which have been the most engaging research job I have ever done. I have also added, over the years, queries about our "dated" geology with their "computerized" confirmations together with climate changes denied since 1963. The Ten-O'clock News have been telling us to change our clocks for DSL and back again BUT no one as noticed it has been changed, more than a few years ago, from March 31 and October 31, to a week or so earlier or even a week or so later.

Monday, February 26, 2018

More Madrid AKA Tro-Cortesianus Codex

The Rest of the Madridˤ Codex
D. M. Urquidi


I promised more information about the Madrid Codex or the Tro-Cortinsanus
Here is a bit that no one seems to recognize: The fact that all the human images 
from page  M-112 backward are all face the left to the left of all human figures  
relating to the bees and the carving of the wooden manikins face towards the left
of the pages including M 39 and a few in the first half of the Codex.


Where the Serpent Calendar pages have figures; some of them also turn toward
the left of the page. The whole calendar, I believe tell the complete story (with
the bees and manikins) of the disaster which rocked the world. This was an
event where, Roys, R. L. (1967) The Book of the Chilam Balam of the Chumayel
gives information spiked with Roman input. (P. 64, IMIX as First Day of the year 1584.)


What I want to do here is start at the beginning of the story and end up with the Serpent 
Calendar Pages., The Story beginning starts on page 112. It is where the blazing star
started its journey across Mesoamerica.  The strange star form with pointed sticks
as rays appear in the right column at the top of the partially destroyed glyphs and
again in the last column to the left. This star also appears on page 111. So it is in
sequence to read the codex from a “right-to-left” direction. This is also the
direction for Japan, China, Persia, Turkish, Arabia, and Hebrew.
Fig.00: The Star [not a zero] and what appears to be the human with a Star-Eye
Above both figures,e. in the glyph expo, that funny star with prongs in a glyph
for each human. of the flaming torches of the comet.
there over each human.



The man to the left appears to have a rabbit on the back of his head. The glyph above 
the figure that explains this entity appears to have the same rabbit facing the back of 
the head with its ears hanging down its back.0


The interesting thing about the two human-type entities is that they remind me
immediately about the poem “The Birth of the Fifth Sun” in Kaye Almere Read’s 
(1998, 49-58) book Time and Sacrifice in the Aztec Cosmos. The expensively 
decorated Tecuiçiztecatl was chosen to be the Sun; lacking another, the diseased
Nanahuatzin was called to fill in for the Moon. Tecuiçiztecatl proved to be
a coward when he faced the “Oven” of the gods. Nanahuatzin jumped in first,
then the decorated sacrifice followed. Nanahuatzin became the sun, as he peeled off
his scabs [we call them “sun flares”] and Tecuiçiztecatl became the ashy-faced Moon.


In order to read any glyph, one must also be aware of the story behind the glyphs. 
And that one can only do by listening to the narrators, whether they be humans o
only words on paper. Allen Christenson learned that when he showed his “short-
hand” writing of the narration to the Informants and read them back with perfect
pronunciation.
The Informants were amazed. Their quote can be found in Allen’s Popol Vuh which 
can be found on Mesoweb.com. The Popol Vuh, with different names, is the entire
account of the Madrid Codex starting with M-[12 and going forward to the Trecena's
horizontal 4-work days per weeks; and five weeks per month; as well as in a vertical
calendar. for three years.
__________________________________________


M-111a:  The left entity is cutting into an earth glyph. The right entity is doing the same.with a different type of cutting edge. Death is inferred in the glyph text over
their picture. The comet/star is also inferred by the North God C and the star-comet 
in front of his face.
The two entities are cutting the earth icon; one with a straight knife and the other 
a curved knife.


M-111b the Entity holds a serpent and a firebrand at its tail over a bee that has 
a sting on the earth glyph.

M-111-c: A death god burning bones over a broken oven [volcano?]; 
a split glyph above figure to the left and a fire glyph below it.
This entity is using a regular oven with fire
The last entity on the left has the comet/star as the first glyph over his head 
and a torch in his hand
Fig. 02: M-111
The bee gods of the sky homes are active until page M-103.
However, each page has a different sent of humanoid gods doing special things.


Try to find the eclipse tied down deer haunch and the giant feathers that indicate fire.
Maybe from a volcanic eruption[?].
The text takes you also to carving the wooden manikins and
other interesting items about the Popol Vuh. The PV does not have a volcano? Of course, it
doesn't. The Madrid is the Mixtec version

I am still working on the possibilites.